Movies as Politics

Portada
University of California Press, 1 sept 2023 - 350 páginas
In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological identities as individuals and as a society. Readers will find revealing examinations of, for example, racial stereotyping in the debates surrounding Do the Right Thing, key films from Africa, China, Japan, and Taiwan, Hollywood musicals and French serials, and the cultural amnesia accompanying cinematic treatments of the Russian Revolution, the civil rights movement, and the Vietnam War. From Schindler's List, Star Wars, Pulp Fiction, Forrest Gump, The Piano, and Ace Ventura: Pet Detective to the maverick careers of Orson Welles, Jacques Tati, Nicholas Ray, Chantal Akerman, Todd Haynes, and Andrei Tarkovsky, Rosenbaum offers a polemically pointed survey that makes clear the high stakes involved in every aspect of filmmaking and filmgoing.
 

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Índice

II
1
III
9
IV
11
V
13
VI
22
VII
28
VIII
35
IX
37
XXXI
166
XXXII
171
XXXIII
179
XXXIV
181
XXXV
183
XXXVII
195
XXXVIII
201
XXXIX
208

X
41
XI
47
XII
55
XIII
57
XIV
60
XV
67
XVI
69
XVII
75
XVIII
79
XIX
81
XX
91
XXI
98
XXII
105
XXIII
110
XXIV
118
XXV
125
XXVI
134
XXVII
140
XXVIII
145
XXIX
154
XXX
159
XL
213
XLI
221
XLII
223
XLIII
231
XLIV
234
XLV
244
XLVI
249
XLVII
255
XLVIII
257
XLIX
264
L
269
LI
276
LII
284
LIII
289
LIV
291
LV
303
LVI
318
LVII
323
LVIII
338
LIX
345
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Sobre el autor (2023)

Jonathan Rosenbaum is film critic at the Chicago Reader, author of Moving Places (1995) and Placing Movies (1995), both published by California, editor of This is Orson Welles (1993), and a member of the New York Film Festival selection committee.

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