Movies as Politics

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University of California Press, 30 jun. 1997 - 350 páginas
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In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological identities as individuals and as a society. Readers will find revealing examinations of, for example, racial stereotyping in the debates surrounding Do the Right Thing, key films from Africa, China, Japan, and Taiwan, Hollywood musicals and French serials, and the cultural amnesia accompanying cinematic treatments of the Russian Revolution, the civil rights movement, and the Vietnam War. From Schindler's List, Star Wars, Pulp Fiction, Forrest Gump, The Piano, and Ace Ventura: Pet Detective to the maverick careers of Orson Welles, Jacques Tati, Nicholas Ray, Chantal Akerman, Todd Haynes, and Andrei Tarkovsky, Rosenbaum offers a polemically pointed survey that makes clear the high stakes involved in every aspect of filmmaking and filmgoing.
 

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LibraryThing Review

Reseña de usuario  - tonynetone - LibraryThing

political and movie scene links between film and political focusing on political statements of modern film from Hollywood blockbusters also film studies collections film criticism labored by social ... Leer reseña completa

MOVIES AS POLITICS

Reseña de usuario  - Kirkus

A spirited, frequently tendentious, collection of essays and reviews dissecting some of the more notable films of the last 20 years. While most film critics tend to hide their ideological biases ... Leer reseña completa

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XXXI
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XXXII
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XXXIV
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Sobre el autor (1997)

Jonathan Rosenbaum is film critic at the Chicago Reader, author of Moving Places (1995) and Placing Movies (1995), both published by California, editor of This is Orson Welles (1993), and a member of the New York Film Festival selection committee.

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