The Theory of Harmony: An Inquiry Into the Natural Principles of Harmony, with an Examination of the Chief Systems of Harmony from Rameau to the Present DayB. Coar, 1955 - 484 páginas |
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Página 83
... prove that certain chords generated by the second principle ( the augmented and diminished triads , as well as certain chords of the Seventh ) are non - fundamental ; he requires the second principle because his first principle is not ...
... prove that certain chords generated by the second principle ( the augmented and diminished triads , as well as certain chords of the Seventh ) are non - fundamental ; he requires the second principle because his first principle is not ...
Página 193
... prove that it was possible to consider the chord f - a - c ' - d ' in two aspects : first , as an original and fundamental discord , with fundamental note f ; secondly , as the first in- version of the chord of the Seventh d - f - a - c ...
... prove that it was possible to consider the chord f - a - c ' - d ' in two aspects : first , as an original and fundamental discord , with fundamental note f ; secondly , as the first in- version of the chord of the Seventh d - f - a - c ...
Página 288
... prove that harmony has its origin in the resonance of the sonorous body . But while Rameau makes it his principal endeavour to demonstrate that sound is in its nature not simple but complex , not uniform but multiform , Tartini's object ...
... prove that harmony has its origin in the resonance of the sonorous body . But while Rameau makes it his principal endeavour to demonstrate that sound is in its nature not simple but complex , not uniform but multiform , Tartini's object ...
Índice
тилово пр | 1 |
GIOSEFFO ZARLINO 151790 and the Generation | 57 |
Traité | 63 |
Página de créditos | |
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Otras ediciones - Ver todo
The Theory of Harmony: An Inquiry Into the Natural Principles of Harmony ... Matthew Shirlaw Vista de fragmentos - 1975 |
Términos y frases comunes
Added Sixth appear arise arithmetical augmented chromatic semitone composers considers consonance and dissonance consonances derived Descartes descending determined diatonic diminished triad dissonant chords Dominant Seventh effect existing explain fact Fétis figured bass Fourth Fundamental Bass fundamental note fundamental sound Génération Harmonique ground-tone harmonic division harmonic inversion harmonic series harmonic sounds harmonic succession harmonic system Hauptmann Helmholtz Ibid intervals intonation key-system Kirnberger klang major and minor major mode major or minor major scale Marpurg means melody minor harmony Minor Mode minor Sixth minor Third musicians Musique nevertheless Ninth numbers Octave origin Perfect Cadence perfect Fifth polyphony principal sound principle of harmony proceeds progression proportion Rameau Rameau's theory reason regarded relationship remarks repose represent result Riemann senario sonorous body Stainer string Subdominant harmony Tartini tetrachord theoretical theorists theory of harmony tonality Tonic chord Tonic harmony Traité de l'harmonie unity vibration whole-tone Zarlino