The Theory of Harmony: An Inquiry Into the Natural Principles of Harmony, with an Examination of the Chief Systems of Harmony from Rameau to the Present DayB. Coar, 1955 - 484 páginas |
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Página 401
... example , the secondary triad on the sixth degree of the scale of C major , a - c - e , or rather c - e - a , is a ... examples of the Deceptive Cadence : - ( a ) ( b ) ( c ) G 8 bo 20 . D Tp D ° Tp ° S ° Tp 2D In examples ( a ) and ( b ) ...
... example , the secondary triad on the sixth degree of the scale of C major , a - c - e , or rather c - e - a , is a ... examples of the Deceptive Cadence : - ( a ) ( b ) ( c ) G 8 bo 20 . D Tp D ° Tp ° S ° Tp 2D In examples ( a ) and ( b ) ...
Página 404
... example , the chord of the Added Sixth , f - a - c / d , cannot be understood as a modification or alteration of the major harmony , f - a - c . Nor can the note d in this chord be regarded as having no harmonic significance , as a non ...
... example , the chord of the Added Sixth , f - a - c / d , cannot be understood as a modification or alteration of the major harmony , f - a - c . Nor can the note d in this chord be regarded as having no harmonic significance , as a non ...
Página 405
... example ( c ) has its origin in a suspension ( d ) 1 : — ( a ) ( b ) ( c ) ( d ) 8 8 8 8 But let us take from among many such chords the familiar chord b - d - f - a , as in example ( e ) : — ( e ) * ( f ) ** ( g ) 8 ( h ) Here the note ...
... example ( c ) has its origin in a suspension ( d ) 1 : — ( a ) ( b ) ( c ) ( d ) 8 8 8 8 But let us take from among many such chords the familiar chord b - d - f - a , as in example ( e ) : — ( e ) * ( f ) ** ( g ) 8 ( h ) Here the note ...
Índice
тилово пр | 1 |
GIOSEFFO ZARLINO 151790 and the Generation | 57 |
Traité | 63 |
Página de créditos | |
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Otras ediciones - Ver todo
The Theory of Harmony: An Inquiry Into the Natural Principles of Harmony ... Matthew Shirlaw Vista de fragmentos - 1975 |
Términos y frases comunes
Added Sixth appear arise arithmetical augmented chromatic semitone composers considers consonance and dissonance consonances derived Descartes descending determined diatonic diminished triad dissonant chords Dominant Seventh effect existing explain fact Fétis figured bass Fourth Fundamental Bass fundamental note fundamental sound Génération Harmonique ground-tone harmonic division harmonic inversion harmonic series harmonic sounds harmonic succession harmonic system Hauptmann Helmholtz Ibid intervals intonation key-system Kirnberger klang major and minor major mode major or minor major scale Marpurg means melody minor harmony Minor Mode minor Sixth minor Third musicians Musique nevertheless Ninth numbers Octave origin Perfect Cadence perfect Fifth polyphony principal sound principle of harmony proceeds progression proportion Rameau Rameau's theory reason regarded relationship remarks repose represent result Riemann senario sonorous body Stainer string Subdominant harmony Tartini tetrachord theoretical theorists theory of harmony tonality Tonic chord Tonic harmony Traité de l'harmonie unity vibration whole-tone Zarlino