The Theory of Harmony: An Inquiry Into the Natural Principles of Harmony, with an Examination of the Chief Systems of Harmony from Rameau to the Present DayB. Coar, 1955 - 484 páginas |
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Página 98
... FUNDAMENTAL BASS . STRICTLY speaking , the Fundamental Bass of Rameau is of more than one kind . There is the fundamental bass which is the direct result of his theory of the inversion of chords , and which has been in practical use in ...
... FUNDAMENTAL BASS . STRICTLY speaking , the Fundamental Bass of Rameau is of more than one kind . There is the fundamental bass which is the direct result of his theory of the inversion of chords , and which has been in practical use in ...
Página 109
... Fundamental Bass to ascend as well as descend , by the intervals of the Third , Fifth , and Seventh , or their inversions , Rameau accords to it the liberty to fall by any interval , large or small , to be found in the diatonic scale ...
... Fundamental Bass to ascend as well as descend , by the intervals of the Third , Fifth , and Seventh , or their inversions , Rameau accords to it the liberty to fall by any interval , large or small , to be found in the diatonic scale ...
Página 141
... Fundamental Bass has the liberty to proceed from this central sound either upwards to its Dominant ( 9 ) , or downwards to its Subdominant ( 1 ) . But Rameau merely assumes what he wishes to prove . He assumes that the Tonic has a lower ...
... Fundamental Bass has the liberty to proceed from this central sound either upwards to its Dominant ( 9 ) , or downwards to its Subdominant ( 1 ) . But Rameau merely assumes what he wishes to prove . He assumes that the Tonic has a lower ...
Índice
тилово пр | 1 |
GIOSEFFO ZARLINO 151790 and the Generation | 57 |
Traité | 63 |
Página de créditos | |
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Otras ediciones - Ver todo
The Theory of Harmony: An Inquiry Into the Natural Principles of Harmony ... Matthew Shirlaw Vista de fragmentos - 1975 |
Términos y frases comunes
Added Sixth appear arise arithmetical augmented chromatic semitone composers considers consonance and dissonance consonances derived Descartes descending determined diatonic diminished triad dissonant chords Dominant Seventh effect existing explain fact Fétis figured bass Fourth Fundamental Bass fundamental note fundamental sound Génération Harmonique ground-tone harmonic division harmonic inversion harmonic series harmonic sounds harmonic succession harmonic system Hauptmann Helmholtz Ibid intervals intonation key-system Kirnberger klang major and minor major mode major or minor major scale Marpurg means melody minor harmony Minor Mode minor Sixth minor Third musicians Musique nevertheless Ninth numbers Octave origin Perfect Cadence perfect Fifth polyphony principal sound principle of harmony proceeds progression proportion Rameau Rameau's theory reason regarded relationship remarks repose represent result Riemann senario sonorous body Stainer string Subdominant harmony Tartini tetrachord theoretical theorists theory of harmony tonality Tonic chord Tonic harmony Traité de l'harmonie unity vibration whole-tone Zarlino