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Will thy yard of blue riband, poor Fingal, The miscreant who well might plunge Erin recall

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in doubt

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[In Lady Blessington's Conversations with Lord Byron these lines are thus introduced : 'I will give you some stanzas I wrote yesterday (said Byron); they are as simple as even Wordsworth himself could write, and would do for music.']

BUT once I dared to lift my eyes,
To lift my eyes to thee;
And, since that day, beneath the skies,
No other sight they see.

In vain sleep shuts them in the night,
The night grows day to me,
Presenting idly to my sight
What still a dream must be.

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I am ashes where once I was fire,

And the bard in my bosom is dead; What I loved I now merely admire,

And my heart is as grey as my head.

My life is not dated by years;

There are moments which act as a plough;
And there is not a furrow appears
But is deep in my soul as my brow.

Let the young and the brilliant aspire
To sing what I gaze on in vain;
For Sorrow has torn from my lyre
The string which was worthy the strain.
B.
[First published, 1830.]

ARISTOMENES

[First published in the Edition of 1901 from a manuscript in the possession of the Lady Dorchester.]

CANTO FIRST

I

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I am a fool of passion, and a frown
Of thine to me is as an adder's eye.
To the poor bird whose pinion fluttering
down

Wafts unto death the breast it bore so high;

Such is this maddening fascination grown, So strong thy magic or so weak am I.

ON THIS DAY I COMPLETE MY THIRTY-SIXTH YEAR

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[Moore relates in the Life that on his last birthday Byron came from his bedroom into the apartment where Colonel Stanhope and some others were assembled and said with a smile, "You were complaining the other day that I never write any poetry now. This is my birthday, and I have just finished something which, I think, is better than what I usually write."- The pathos and sincerity of the verses are echoed in Mangan's The Nameless One, though the spirit of the two poems is not the same. e.]

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[It is not necessary to say that these poems are concerned with the separation between Lord Byron and his wife. They are so distinct in character that it has seemed best to separate them from among the other Miscellaneous Poems.]

FARE THEE WELL

[Moore relates on the authority of Byron's
Memoranda that these stanzas were written
'under the swell of tender recollections' as the
poet sat one night musing in the study
the tears falling fast over the paper as he
wrote them.' Mr. Coleridge avers that there
are no tear-marks on the original draft of the
poem. 'Tis pity.]

Als! they had been friends in Youth;
But whispering tongues can poison truth:
And constancy lives in realms above;
And Life is thorny; and youth is vain;
And to be wroth with one we love,
Doth work like madness in the brain;

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But never either found another
To free the hollow heart from paining-
They stood aloof, the scars remaining,
Like cliffs, which had been reut asunder;
A dreary sea now flows between,
But neither beat, nor frost, nor thunder,
Shall wholly do away, I ween,

The marks of that which once hath been.'
COLERIDGE'S Christabel.

FARE thee well! and if for ever,
Still for ever, fare thee well:
Even though unforgiving, never
'Gainst thee shall my heart rebel.

Would that breast were bared before thee
Where thy head so oft hath lain,
While that placid sleep came o'er thee
Which thou ne'er canst know again:

Would that breast, by thee glanced over,
Every inmost thought could show!
Then thou wouldst at last discover
T was not well to spurn it so.

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