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But light leaves, young as joy, stands where it stood, Offering to him, and his, a populous solitude.

A populous solitude of bees and birds,
And fairy-form'd and many-color'd things,

Who worship him with notes more sweet than words,
And innocently open their glad wings,

Fearless and full of life: the gush of springs,
And fall of lofty fountains, and the bend

Of stirring branches, and the bud which brings
The swiftest thought of beauty, here extend,
Mingling, and made by Love, unto one mighty end.

He who hath loved not, here would learn that lore,
And make his heart a spirit; he who knows
That tender mystery, will love the more,

For this is Love's recess, where vain men's woes,
And the world's waste, have driven him far from those,

For 't is his nature to advance or die;

He stands not still, but or decays, or grows

Into a boundless blessing, which may vie With the immortal lights, in its eternity.

'T was not for fiction chose Rousseau this spot,
Peopling it with affections; but he found

It was the scene which passion must allot
To the mind's purified beings; 't was the ground
Where early Love his Psyche's zone unbound,
And hallow'd it with loveliness: 't is lone,

And wonderful, and deep, and hath a sound,

And sense, and sight of sweetness; here the Rhone Hath spread himself a couch, the Alps have rear'd a throne.

ITALY.

(CHILDE HAROLD, Canto iv. Stanzas 42-47.)

ITALIA! oh Italia! thou who hast The fatal gift of beauty, which became A funeral dower of present woes and past, On thy sweet brow is sorrow plough'd by shame, And annals graved in characters of flame. Oh, God! that thou wert in thy nakedness Less lovely or more powerful, and couldst claim Thy right, and awe the robbers back, who press To shed thy blood, and drink the tears of thy distress;

Then might'st thou more appall; or, less desired,
Be homely and be peaceful, undeplored

For thy destructive charms; then, still untired,
Would not be seen the armed torrents poured
Down the deep Alps; nor would the hostile horde
Of many-nation'd spoilers from the Po

Quaff blood and water; nor the stranger's sword
Be thy sad weapon of defence, and so,

Victor or vanquish'd, thou the slave of friend or foe.

Wandering in youth, I traced the path of him,1
The Roman friend of Rome's least-mortal mind,
The friend of Tully: as my bark did skim
The bright blue waters with a fanning wind,
Came Megara before me, and behind

1 Servius Sulpicius. See Middleton's Cicero, vol. ii. p. 371.

Ægina lay, Piræus on the right,

And Corinth on the left; I lay reclined
Along the prow, and saw all these unite
In ruin, even as he had seen the desolate sight;

For Time hath not rebuilt them, but uprear'd
Barbaric dwellings on their shatter'd site,
Which only make more mourn'd and more endear'd
The few last rays of their far-scatter'd light,
And the crush'd relics of their vanish'd might.
The Roman saw these tombs in his own age,
These sepulchres of cities, which excite
Sad wonder, and his yet surviving page

The moral lesson bears, drawn from such pilgrimage.

That page is now before me, and on mine
His country's ruin added to the mass

Of perish'd states he mourn'd in their decline,
And I in desolation: all that was

Of then destruction is; and now, alas!

Rome - Rome imperial, bows her to the storm,
In the same dust and blackness, and we pass

The skeleton of her Titanic form,

Wrecks of another world, whose ashes still are warm.

Yet, Italy! through every other land

Thy wrongs should ring, and shall, from side to side;
Mother of Arts! as once of arms; thy hand

Was then our guardian, and is still our guide;
Parent of our Religion! whom the wide

Nations have knelt to for the keys of heaven!

Europe, repentant of her parricide,

Shall yet redeem thee, and, all backward driven, Roll the barbarian tide, and sue to be forgiven.

VENICE.

(CHILDE HAROLD, Canto iv. Stanzas 1-4.)

I STOOD in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:

I saw from out the wave her structures rise
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying Glory smiles

O'er the far times, when many a subject land
Look'd to the winged Lion's marble piles,

'Where Venice sate in state, throned on her hundred isles!

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers

At airy distance, with majestic motion,
A ruler of the waters and their powers:

And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Pour'd in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deem'd their dignity increased.

In Venice Tasso's echoes are no more,
And silent rows the songless gondolier;

Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone
but Beauty still is here.
States fall, arts fade but Nature doth not die,

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Nor yet forget how Venice once was dear,

The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

But unto us she hath a spell beyond
Her name in story, and her long array

Of mighty shadows, whose dim forms despond
Above the dogeless city's vanish'd sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away
The keystones of the arch! though all were o'er
For us repeopled were the solitary shore.

VENICE IN DECAY.

(CHILDE HAROLD, Canto iv. Stanzas 11-13.)

THE spouseless Adriatic mourns her lord;
And, annual marriage, now no more renew'd,
The Bucentaur lies rotting unrestored,
Neglected garment of her widowhood!
St. Mark yet sees his lion where he stood,
Stand, but in mockery of his wither'd power,
Over the proud Place where an Emperor sued,
And monarchs gazed and envied in the hour

When Venice was a queen with an unequall'd dower.

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