The Artistry of Shakespeare's ProseRoutledge, 13 sept 2013 - 464 páginas First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... Coriolanus) where they are as functionally relevant but as thematically irrelevant as they are here. In both these latter examples there may be more to it than this, but critics must be more careful than they have been so far about how ...
... Coriolanus) where they are as functionally relevant but as thematically irrelevant as they are here. In both these latter examples there may be more to it than this, but critics must be more careful than they have been so far about how ...
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... Coriolanus, while its importance for Mercutio or Iago bulks far larger than the statistics would suggest. To mention these two essentially prose characters (although of course both are also given verse) is to think of others whose very ...
... Coriolanus, while its importance for Mercutio or Iago bulks far larger than the statistics would suggest. To mention these two essentially prose characters (although of course both are also given verse) is to think of others whose very ...
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... Coriolanus' mother kneels to him. iii. stage imagery: visual effects in terms of grouping or movement which meaningfully add to the dramatic effect: such as the multiple overhearing scenes, as in comedies like The Shrew or Love's ...
... Coriolanus' mother kneels to him. iii. stage imagery: visual effects in terms of grouping or movement which meaningfully add to the dramatic effect: such as the multiple overhearing scenes, as in comedies like The Shrew or Love's ...
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... Coriolanus). But two of Mr Barish's general points can be taken over and endorsed: first, on that remarkable blending of artifice with nature: 'One tends not to notice the logicality of Shakespeare's prose because it is managed with ...
... Coriolanus). But two of Mr Barish's general points can be taken over and endorsed: first, on that remarkable blending of artifice with nature: 'One tends not to notice the logicality of Shakespeare's prose because it is managed with ...
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Índice
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Términos y frases comunes
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty