The Artistry of Shakespeare's ProseRoutledge, 13 sept 2013 - 464 páginas First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... Benedick, Dogberry and Verges, Rosalind and Touchstone, Sir Toby Belch, Thersites, Parolles, Autolycus and the clown in The Winter's Tale. And to think of the variety of character-creation shown here, and the importance that each has in ...
... Benedick, Dogberry and Verges, Rosalind and Touchstone, Sir Toby Belch, Thersites, Parolles, Autolycus and the clown in The Winter's Tale. And to think of the variety of character-creation shown here, and the importance that each has in ...
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... Benedick and theirs (a more fundamental difference is that here the wit is the badge of a profession, whereas later it is the expression of personality). Thus Dromio of Syracuse hints: 'I durst have denied that, before you were so ...
... Benedick and theirs (a more fundamental difference is that here the wit is the badge of a profession, whereas later it is the expression of personality). Thus Dromio of Syracuse hints: 'I durst have denied that, before you were so ...
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Índice
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Términos y frases comunes
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty