Graphic Design: Reproduction and Representation Since 1800Manchester University Press, 1996 - 296 páginas This critical survey of the trends and key issues involved in graphic design over the last 200 years provides an introduction to this ever-changing subject. The international development of magazine, advertising and poster design is traced within a chronological framework from the illustrated journalism of the 19th century, to graphic images produced by celebrated artists such as Daumier and Toulouse Lautrec, to late-20th century alternative practices: pop, sub and counter-cultural graphics and the well-known work of Neville Brody. In the process of examining the relationship between word and image in the public domain, the authors cover issues of gender, class, race, hegemony and incorporation. |
Índice
Tables | 9 |
British Library 29 | 29 |
La mère est dans le feu de la composition lenfant est dans | 46 |
Página de créditos | |
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Graphic Design: Reproduction and Representation Since 1800 Paul Jobling,David Crowley Vista previa restringida - 1996 |
Términos y frases comunes
advertising aesthetic America appeared Art Nouveau artists Beatles became Benson and Hedges Bill Brandt Britain British campaigns caricature cartoon CENSORSHIP AND SYMBOLISM Charivari Chéret cigarette commercial consumer context counter-culture culture Daumier depicted DESIGN A MEDIUM effect El Lissitzky example exhibition Fabulous female figure FIN-DE-SIÈCLE France French German GRAPHIC DESIGN Herbert Bayer History Honoré Daumier Ibid ideology illustrated press industry issue John Heartfield July Monarchy L'Illustration Lautrec Le Charivari lithographs London Lorant Louis-Philippe Magasin Pittoresque magazine mass MASSESS ment modern modernist modernist graphic design Moholy-Nagy montage Museum myth Nazi Neue Grafik nineteenth century orang-utan organised Paris period Philipon photo-essays photographs photojournalism photomontage Picture Post pin-ups political POP TO PROTEST popular illustrated postmodern printed produced propaganda published Punch readers representation role Schwitters September sexual signifier social society style tion Tschichold typography underground UTOPIANISM AND COMMERCE visual Weimar whilst women wood engraving