Silence and Subject in Modern Literature: Spoken ViolenceSpringer, 10 oct 2013 - 215 páginas Why does interrogation silence its object and not make it speak? Silence vs speech is a central issue in classical and modern literary works. This book studies literary representations of the power relations in which we are forced to speak using a range of texts ranging from the modern crime novel, via classics, to avant-garde plays. |
Índice
1 | |
Austens Mansfield Park | 35 |
Hawthornes The Scarlet Letter Musils Tonka | 58 |
Melvilles Bartleby Meets Gombrowiczs Ivona | 82 |
Strindberg Camus Beckett | 103 |
Rankin Harris Pinter Duras | 125 |
Handkes Kaspar | 149 |
The Silence of the Sirens | 163 |
Notes | 175 |
Bibliography | 202 |
212 | |
Otras ediciones - Ver todo
Silence and Subject in Modern Literature: Spoken Violence U. Olsson No hay ninguna vista previa disponible - 2013 |
Silence and Subject in Modern Literature: Spoken Violence U. Olsson No hay ninguna vista previa disponible - 2013 |
Términos y frases comunes
Adorno Agamben anacrisis answer apparatus aspect Bakhtin Barthes Bartleby Bartleby’s Beckett become Cambridge character Chillingworth circulation of speech Clamence Clamence’s Clarice Collège de France confession conversation decorum defined dialogue Dimmesdale discourse economy Embers emphasizes Fanny’s father force function Giorgio Agamben GOLDBERG Gombrowicz Handke Handke’s Hannibal Lecter Harold Pinter Hawthorne Henry hermeneutical Hester identity individual interlocutor interrogation Ivona Jane Austen Judith Butler Kaspar lawyer linguistic linguistic violence listening literary literature London Mansfield Park means Michel Foucault Mikhail Bakhtin monologue Mountain Language Musil’s normality novel Odysseus one’s Pause performed person Peter Handke Pinter play political practice problem produces prompter question radio reader reading refuses rhetoric Roland Barthes Samuel Beckett Scarlet Letter scene seems sentence silence Sirens situation social Socrates someone sound speak speaker spoken violence Stanley story Strindberg subjectification takes talking Tonka torture transformed turns University Press utterance voice woman words writes York young