The imagery of Keats and ShelleyArchon Books, 1962 - 296 páginas |
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Página 25
... rich , con- tingent materiality , " 38 controlled most consummately by the intellectual and imaginative power of the poet . 39 images are usually described as ' concrete ' or ' sensuous ' in distinction from abstract or purely ...
... rich , con- tingent materiality , " 38 controlled most consummately by the intellectual and imaginative power of the poet . 39 images are usually described as ' concrete ' or ' sensuous ' in distinction from abstract or purely ...
Página 31
... rich in line , color , light and shade , and sound but it is also rich in images of the intimately physical sensations of taste , touch , smell , temperature , and pressure , and in images of the organic sensations , such as hunger and ...
... rich in line , color , light and shade , and sound but it is also rich in images of the intimately physical sensations of taste , touch , smell , temperature , and pressure , and in images of the organic sensations , such as hunger and ...
Página 97
... rich in it . 78 The fierce and fiery move- ment of Shelley finds adequate utterance as early as Queen Mab , in 77. Keats's search for fullness of sensation is apparent even in brief expressions like " smother'd up " ( Hyperion , I , 106 ) ...
... rich in it . 78 The fierce and fiery move- ment of Shelley finds adequate utterance as early as Queen Mab , in 77. Keats's search for fullness of sensation is apparent even in brief expressions like " smother'd up " ( Hyperion , I , 106 ) ...
Índice
Poetic Imagery | 3 |
Imagery of Sensation | 26 |
Synaesthetic Imagery ΙΟΙ | 101 |
Página de créditos | |
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Términos y frases comunes
abstract actuality aesthetic Agnes Alastor Beauty body Brooks characteristic clouds cold color complex concept concrete Criticism dome earth effect elements Eliot emotion empathy Endymion Essays eternal Eve of St example experience expression feeling figures flowers fused fusion Grecian Urn Heaven Hulme human Hyperion I. A. Richards Ibid imagination intense John Crowe Ransom John Keats Keats's poetry kinesthetic Lamia light lines Literary meaning metaphor metaphysical mind motion motor nature Nightingale object Ode on Indolence Ode on Melancholy Ode to Psyche odor organic passage perceptions Percy Bysshe Shelley physical poem poet poetic imagery Prometheus Unbound prose Queen Mab Ransom reader relationship rich Romantic Romantic poetry Romanticism scene sensation sense sensory sensuous shapes Shelley Shelley's poetry soft soul sound spirit stanza Stood Tiptoe suggestion sweet symbols synaesthesia synaesthetic synaesthetic imagery Tate theory things thou thought tion unity veil verse visual words