The Artistry of Shakespeare's ProseMethuen, 1968 - 452 páginas |
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Página 176
... Benedick says of Hero that Beatrice ' an she were not possessed with a fury , exceeds her as much in beauty , as the first of May doth the last of September ' , and later Beatrice says of Benedick that he ' once before ' won her heart ...
... Benedick says of Hero that Beatrice ' an she were not possessed with a fury , exceeds her as much in beauty , as the first of May doth the last of September ' , and later Beatrice says of Benedick that he ' once before ' won her heart ...
Página 197
... BENEDICK . It is in my scabbard - shall I draw it ? DON PEDRO . Dost thou wear thy wit by thy side ? The irony is that although we know that Benedick is being literal , he seems to them to be describing wit in the same imagery that has ...
... BENEDICK . It is in my scabbard - shall I draw it ? DON PEDRO . Dost thou wear thy wit by thy side ? The irony is that although we know that Benedick is being literal , he seems to them to be describing wit in the same imagery that has ...
Página 198
... Benedick is not witty enough to prevent Margaret putting him down in some bawdy repartee , he is given something of ... Benedick's challenge : BEATRICE . BENEDICK . Only foul words - and thereupon I will kiss thee . Foul words is but ...
... Benedick is not witty enough to prevent Margaret putting him down in some bawdy repartee , he is given something of ... Benedick's challenge : BEATRICE . BENEDICK . Only foul words - and thereupon I will kiss thee . Foul words is but ...
Índice
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Página de créditos | |
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Términos y frases comunes
abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words