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Página 119
It is steadily weighted through lines 4 to 14 , having the most weight of any sound
in the sestet . ( Householder has noted that it is in excess in the sonnet , although
we would expect its weighted rank to be lower than its frequency rank ; see his ...
It is steadily weighted through lines 4 to 14 , having the most weight of any sound
in the sestet . ( Householder has noted that it is in excess in the sonnet , although
we would expect its weighted rank to be lower than its frequency rank ; see his ...
Página 121
Its force is heightened by the fact that , after appearing in the octet ' s rhyme
scheme , / ey / completely takes over the rhyme scheme of the sestet . Some
effect is obtained by the recurrence of “ once ” in lines 1 and 14 , but of its
phonemes only ...
Its force is heightened by the fact that , after appearing in the octet ' s rhyme
scheme , / ey / completely takes over the rhyme scheme of the sestet . Some
effect is obtained by the recurrence of “ once ” in lines 1 and 14 , but of its
phonemes only ...
Página 124
syllable of “ nothingness ” are given strength , and “ love ” is repeated in the
sestet , the first time occurring before an exclamation mark and a dash ( line 12 ) .
The relative strength of sounds in " unreflecting ” makes it also a suitable key
word ...
syllable of “ nothingness ” are given strength , and “ love ” is repeated in the
sestet , the first time occurring before an exclamation mark and a dash ( line 12 ) .
The relative strength of sounds in " unreflecting ” makes it also a suitable key
word ...
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Índice
INTRODUCTION | 1 |
PART TWO STYLE IN FOLK NARRATIVE | 25 |
PART THREE LINGUISTIC APPROACHES TO VERBAL | 55 |
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Términos y frases comunes
alliteration analysis appear approach association becomes behavior called certain characteristic commonality complete concerned consonants course critics definition described deviations discussion distinction dominant effect elements English example expect expressive fact final function give given grammatical important indicate individual instance interest interpretation kind language learning less linguistic literary literature matter meaning measures meter metrical norm notes objective occur particular pattern perhaps person phonemic phrase poem poet poetic poetry positions possible present probably problem pronoun question reading reference relation relative responses rhyme rhythm rules seems selection semantic sense sentence similar simply situation sonnet sort sound speak speech stress structure style stylistic subjects suggest syllables talk things tradition University utterances variation verbal verbs verse whole word writing
Referencias a este libro
Understanding Pragmatics Jef Verschueren,Jan Verschueren No hay ninguna vista previa disponible - 1999 |