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Página 24
And why is the quality of the title so much better as it stands than if we reverse the
two phrases and read “ April in Harvard Yard / Harvard Yard in April ” ?
RICHARDS ... But the question of which phrase should come first , I think , is
crucial .
And why is the quality of the title so much better as it stands than if we reverse the
two phrases and read “ April in Harvard Yard / Harvard Yard in April ” ?
RICHARDS ... But the question of which phrase should come first , I think , is
crucial .
Página 84
All four sequences will fit a general formula of the type Noun Phrase + Verb
Phrase + Noun Phrase . However , more specific formulas such as Animate Noun
+ Verb 1 + Noun or Noun + Verb 2 + Animate Noun will fit “ The boy fears the
night ...
All four sequences will fit a general formula of the type Noun Phrase + Verb
Phrase + Noun Phrase . However , more specific formulas such as Animate Noun
+ Verb 1 + Noun or Noun + Verb 2 + Animate Noun will fit “ The boy fears the
night ...
Página 170
Not only parallel clauses but also parallel phrases have a tendency to appear as
full lines . ... Pope obviates this bare juxtaposition by inserting the appositive
phrase “ its Tortures , Fiends and Flames ” and by inverting the verb phrase and
the ...
Not only parallel clauses but also parallel phrases have a tendency to appear as
full lines . ... Pope obviates this bare juxtaposition by inserting the appositive
phrase “ its Tortures , Fiends and Flames ” and by inverting the verb phrase and
the ...
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Índice
INTRODUCTION | 1 |
PART TWO STYLE IN FOLK NARRATIVE | 25 |
PART THREE LINGUISTIC APPROACHES TO VERBAL | 55 |
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Términos y frases comunes
alliteration analysis appear approach association becomes behavior called certain characteristic commonality complete concerned consonants course critics definition described deviations discussion distinction dominant effect elements English example expect expressive fact final function give given grammatical important indicate individual instance interest interpretation kind language learning less linguistic literary literature matter meaning measures meter metrical norm notes objective occur particular pattern perhaps person phonemic phrase poem poet poetic poetry positions possible present probably problem pronoun question reading reference relation relative responses rhyme rhythm rules seems selection semantic sense sentence similar simply situation sonnet sort sound speak speech stress structure style stylistic subjects suggest syllables talk things tradition University utterances variation verbal verbs verse whole word writing
Referencias a este libro
Understanding Pragmatics Jef Verschueren,Jan Verschueren No hay ninguna vista previa disponible - 1999 |