watching the navigation of his tiny craft with eagernessor repeating with wild energy "The Ancient Mariner," and Southey's "Old Woman of Berkeley," but those who do, will recollect that it was in such, and in the creations of his own fancy, when that was most daring and ideal, that he sheltered himself from the storms and disappointments, the pain and sorrow, that beset his life.

POEMS WRITTEN IN 1818.

ADVERTISEMENT

TO ROSALIND AND HELEN, AND LINES WRITTEN AMONG THE EUGANEAN HILLS.

NAPLES, Dec. 20, 1818.

THE story of ROSALIND and HELEN is, undoubtedly, not an attempt in the highest style of poetry. It is in no degree calculated to excite profound meditation; and if, by interesting the affections and amusing the imagination, it awaken a certain ideal melancholy favourable to the reception of more important impressions, it will produce in the reader all that the writer experienced in the composition. I resigned myself, as I wrote, to the impulse of the feelings which moulded the conception of the story; and this impulse determined the pauses of a measure, which only pretends to be regular, inasmuch as it corresponds with, and expresses, the irregularity of the imaginations which inspired it.

I do not know which of the few scattered poems I left in England will be selected by my bookseller to add to this collection. One, which sent from Italy, was written after a day's excursion among those lovely mountains which surround what was once the retreat, and where is now the sepulchre, of Petrarch. If any one is inclined to condemn the insertion of the introductory lines, which image forth the sudden relief of a state of deep despondency by the radiant visions disclosed by the sudden burst of an Italian sunrise in autumn, on the highest peak of those delightful mountains, I can only offer as my excuse, that they were not erased at the request of a dear friend, with whom added years of intercourse only add to my apprehension of its value, and who would have had more right than any one to complain, that she has not been able to extinguish in me the very power of delineating sadness.

ROSALIND AND HELEN.

SCENE. The Shore of the Lake of Como.

ROSALIND, HELEN, and her Child.

HELEN.

COME hither, my sweet Rosalind.
'Tis long since thou and I have met:
And yet methinks it were unkind
Those moments to forget.

Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! will sit by me?
And be as thou wert wont to be
Ere we were disunited?

None doth behold us now: the power
That led us forth at this lone hour
Will be but ill requited

If thou depart in scorn: oh! come.
And talk of our abandoned home.
Remember, this is Italy,

And we are exiles. Talk with me

Of that our land, whose wilds and floods
Barren and dark although they be,

Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream :
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me.

come,

Leave me not.-When morn did

When evening fell upon our common home,
When for one hour we parted,—do not frown ;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 'twere but the memory of me,

And not my scorned self who prayed to thee.

ROSALIND.

Is it a dream, or do I see

And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;
And my o'erburthened memory
Seeks yet its lost repose in thee.
I share thy crime. I cannot choose
But weep for thee: mine own strange grief
But seldom stoops to such relief;