119. NAPLES MUSEUM. [Gargiulo (Raphael).] Collection of the Most Remarkable Monuments of the National Museum. With 240 plates in outline of the most celebrated pictures, terra-cotta sculptures, bronzes, marbles, etc., of the Naples Museum. 4 vols. in 1, 4to, vellum-boards. Naples, 1873 FIRST EDITION with Index in English to each volume. 120. NORTHBROOK GALLERY (THE); An Illustrated Descriptive and Historic Account of the Collection of the Earl of Northbrook. Edited by Lord Ronald Gower. With 36 reproductions of celebrated originals of the Italian, Spanish, German, French, Dutch, etc. schools. Folio, dark-blue levant morocco, gilt and mosaic back, wide inside gilt borders, gilt edges. In plush-lined case. London, 1885 Préface de M. 121. NOTOR (G.). La Femme dans l'Antiquité Grecque. Eugène Muntz. Avec 33 reproductions en couleurs et 320 dessins en noir d'après les documents des Musées et collections particulières. Royal 4to, full blue levant morocco, doublures of brown levant, gilt edges, original wrappers bound in, by Stroobants. In plush-lined Paris: Librairie Rénouard, 1901 case. No. 13 of only 35 copies printed throughout on Japanese paper. 122. OVERBECK (JOHANNES). Atlas der Griechischen Kunstmythologie, herausgegeben mit Unterstützung des königlich Sächsischen Ministeriums des Cultus und öffentlichen Unterrichts. With 26 full-page plates lithographed on India paper. Elephant folio, half red levant morocco, gilt edges. In plush-lined case. Leipzig, 1872 123. PAINTERS' BIOGRAPHIES. American Masters of Painting (C. H. Caffin), New York, 1909; The Life Work of George F. Watts (Hugh Macmillan), London, 1903; Jean-François Millet (Sensier-De Kay), Boston, 1881; Sir Thomas Lawrence's Letter-Bag (G. S. Layard), New York, 1906; George Romney and his Art (Hilda Gamlin), London, 1894; Life of J. M. W. Turner (P. G. Hamerton), Boston, 1879. Numerous illustrations. Together, 6 vols, 8vo and 12mo, cloth. 124. PAINTING. Autobiographical Recollections. By the late Charles Robert Leslie. Edited with a Prefatory Essay, etc., by Tom Taylor. Engraved portrait. FIRST EDITION. 2 vols. 12mo, half green polished calf, gilt backs and tops, lower edges uncut, slightly rubbed. London: John Murray, 1860 125. PAINTING. Buchanan (W.). Memoirs of Painting with Chronological History of the Importation of Pictures by the Great Masters into England since the French Revolution. FIRST EDITION. 2 vols. 8vo, original boards, cloth backs, one volume slightly shaken. London, 1824 126. PAINTING. Champlin (J. D.) and Perkins (C. C.). Cyclopedia of Painters and Painting. Over 2,000 illustrations, including portraits, plates, facsimile signatures, etc. 4 vols. 4to, decorated vellum boards and morocco backs, gilt, gilt tops, uncut, somewhat rubbed. New York: Scribners, 1886-1887 One of 500 copies printed. 27. PAINTING. Clement (Clara E.) and Hutton (Laurence). Artists of the Nineteenth Century and Their Works. Handbook containing two thousand and fifty Biographical Sketches. 2 vols. 12mo, cloth, binding a bit worn. Boston: Houghton, Mifflin Co., 1880 From the library of George S. Davis, with his bookplate. 28. PAINTING. Eastlake (Charles L.). Handbook of Painting, The Italian Schools based on the Handbook of Kugler. Revised by Lady Eastlake. 2 vols.; Crowe (J. A.). Handbook of Painting, The German, Flemish and Dutch Schools (Kugler-Waagen). New Edition. 2 vols. Numerous full-page plates. Together, 4 vols. 8vo, full polished calf, gilt backs and tops, uncut, by R. W. Smith, name on titles. London: John Murray, 1874 29. PAINTING. Lansing (Clarence). Gallery of the World's Great Paintings. With Biographical, Critical and Descriptive Text. With 60 plates, in assorted tints, on Chinese paper, matted to royal 4to size, contained in 6 portfolios, with ties. Together, 7 vols., including the folio volume of text, in brown levant morocco, gilt, silk doublures and end-papers. Paris and New York, n. d. Special Copy No. 3 of the Édition de Luxe Royale des Connoisseurs printed for subscribers only. The reproductions include,-Meissonier's "Friedland, 1807"; Alma-Tadema's "Sappho"; Breton's "The Communicants"; De Neuville's "Cemetery of St. Privat"; Munkacsy's "Christ Before Pilate"; Rénouf's "Lending a Hand"; and others. Binding of textvolume somewhat damaged. 30. PAINTING. Lanzi (Abate Luigi). The History of Painting in Italy, from the Period of the Revival of the Fine Arts to End of Eighteenth Century. Translated from the Italian by Thomas Roscoe. With Index. 6 vols. 8vo, full tree calf, gilt backs and edges, leather labels, binding slightly rubbed. London, 1828 Large type edition. 31. PAINTING. Life of Benjamin Robert Haydon, Historical Painter, from his Autobiography and Journals. Edited and Compiled by Tom Taylor. 2 vols. 12mo, cloth. New York, 1853 From the library of E. J. Phelps, with his bookplate. 32. PAINTING. Pilkington (Matthew). General Dictionary of Painters; Containing Memoirs of the Lives and Works of the most eminent Professors of the Art of Painting from Cimabue in 1250 to the Present Time. New Edition, with numerous Additions. Engraved portraits of Nathaniel Bacon, Simon du Bois, Isaac Fuller, Mrs. Ann Killigrew, Sir Peter Lely, etc. with numerous views of natural scenery, some in proof state, and all after famous originals. 2 vols. 4to, contemporary green straight-grained morocco, gilt backs and sides, gilt edges, binding somewhat rubbed, title of Vol. II. considerably foxed, some leaves and plates stained. London, 1824 133. PAINTING. Stranahan (C. H.). History of French Painting from its Earliest to its Latest Practice. Reproductions of 16 representative paintings. FIRST EDITION. 8vo, cloth, gilt, gilt top, uncut, slightly New York: Scribners, 1888 shaken. 134. PAINTING. The Connoisseur (Robinson), New York, 1897; Schools and Masters of Painting (Radcliffe), New York, 1876; The Dutch School of Painting (Havard-Powell), London, 1885; Handbook of Painters, Sculptors, Architects, etc. (C. E. Clement), New York, 1874; Lectures on Art (William Morris, etc.) London, 1882. Together, 5 vols., various sizes, cloth. 135. PAINTING. Wickhoff (Franz). Roman Art. Some of its Principles and their Application to Early Christian Painting. Translated and Edited by Mrs. S. A. Strong. With 14 full-page plates, and numerous text illustrations. 4to, cloth, uncut, one plate loose. London, 1900 136. PAINTING. Williamson (George C.). George Morland, His Life and Works. Colored frontispiece, and 100 reproductions in various tints. Imperial 8vo, cloth, gilt top, uncut. London, 1904 137. PAINTING. Woltmann (Alfred) and Woermann (Karl). History of Ancient, Early Christian, and Mediaeval Painting. Translated from the German. Edited by Sidney Colvin. Many illustrations, full-page and text. 2 vols. royal 8vo, cloth, gilt tops. New York, 1880 138. PARIS, ANCIENT AND MODERN. Hoffbauer (M. F.). Paris, à Travers les Ages; Aspects successifs des Monuments et Quartiers Historiques de Paris, depuis le XIIIe Siècle jusqu'à nos Jours. Texte par Édouard Fournier, Paul Lacroix, A. de Montaiglon, Jules Cousin, Valentin Dufour, etc. Numerous full-page colored lithograph views, plans, old and new, hundreds of text illustrations, with the letterpress on tint-blocks with decorative borders. 2 vols. imperial folio, dark-blue levant morocco, inside gilt borders, gilt backs, gilt edges, by Taffin. In plush-lined cases. Paris: Firmin-Didot et Cie., 1875-1882 HANDSOME SET. Contains a very large number of plates exhibiting interors and exteriors of famous buildings, cathedrals, plans of quarters, reproductions of triumphal arches, and other designs, all after authentic documents. 139. PASSERIO (JOH. BAPTISTA). Picturae Etruscorum in Vasculis nunc primum in unum collectae, explicationibus, et dissertationibus Illustratae. With 300 plates. 3 vols. folio, half vellum and boards, unRomae Johannis Zempel, 1767-1775 cut. A valuable work. 140. PATTISON (MRS. MARK). The Renaissance of Art in France. With 19 illustrations on steel. 2 vols. 8vo, half dark-red levant morocco, gilt backs and tops, uncut, by R. W. Smith, a small gouge in back of one volume. London, 1879 141. PEARL ORNAMENTATION. Gerlach (Martin). Die Perle. Eine reiche Sammlung mustergiltier Vorlagen Juweliere, Gold- und Silberarbeiter, sowie Graveure. Hundreds of designs for pendants, butterfly pins, necklaces, lockets, tiaras, etc. 2 vols. folio, cloth, slightly stained on binding. [Vienna, 1880] 142. PIRANESI. Comment Discerner les Styles enseignés par l'Image. Le Style Piranesi, Époque Louis XVI. Avec 260 reproductions documentaires, Cartels, Chaises à Porteurs, Cheminées et Foyers, Flambeaux, etc., (tipped on heavy paper). 4to, cloth, somewhat shaken. Paris, n. d. 143. PIRANESI (G. B. and C. F.). Opere. A Collection of their Engraved Works on the Architectural and Artistic Remains of Ancient Rome, etc. With many titles and over 1,300 beautifully engraved plates, some containing several figures; others, often double-page, composed of a single subject such as the Parthenon, Coliseum, and similar buildings. Together, 29 volumes in 22 (numbered through error from Vol. 1 to 27, only, with several titles misbound), elephant folio, cloth sides, morocco backs, gilt. Paris, 1835-1837 COMPLETE SET OF THESE MAGNIFICENT PLATES BY THE CELEBRATED ARTISTS AND ENGRAVERS NAMED, EMBRACING SUCH SUBJECTS AS,-THE BUILDINGS AND ANTIQUITIES OF ROME AND ITS ENVIRONS, HERCULANEUM AND POMPEII, CLASSICAL ORNAMENTS AND STATUES, VASES, CANDELABRA, TRIPODS, SARCOPHAGI, AQUEDUCTS, TRIUMPHAL ARCHES, BESIDES MANY OTHERS, ALL ENGRAVED ON COPPER, THE PLATES BEING DATED 1770-1806, BESIDES NUMEROUS PLATES UNDATED, INCLUDING MANY OF THE LATER PUBLICATIONS OF THE PIRANESI AFTER THEIR REMOVAL FROM ROME TO PARIS. The letter-press of many of the volumes is separately printed in Italian (folio, unbound), and inserted before the proper sections in each volume. Following is a List of Contents as here bound: I. ANTICHI ROMANE,-Antichi Edifizi di Roma; II. Monumenti Sepolcrali; Piranesi, the Elder, published his first work in 1741. His illustrations were made usually from drawings upon the plates themselves, which accounts in great measure for his astonishing vigor of execution. Piranesi has been called the Rembrandt of Architecture. The plates left by him number over two thousand, some of them opening nearly ten feet in length. AS THE SET HERE CATALOGUED CLOSELY APPROXIMATES 1,400 PLATES, INCLUDING TITLES AND UNDATED ILLUSTRATIONS, IT IS THOUGHT TO BE THE FULLEST AND MOST EXTENSIVE SET OF THIS EDITION EVER OFFERED BY PUBLIC AUCTION IN THIS COUNTRY. 144. PISTOLESI (ERASMO). Il Vaticano, Descritto ed Illustrato. Con disegni a contorni diretti dal pittore Camillo Guerra. 8 vols. royal folio, half dark-blue levant morocco, gilt and mosaic backs, gilt edges, small library stamps on each title. Each volume in a plush-lined Rome, 1829-1838 case. A magnificent work containing upwards of 850 full-and-double-page plates in outline of all the ornaments, frescoes, paintings, statues, marbles, etc., in the Basilica and the Palace of the Vatican, together with all the interesting details of their architecture, exterior and interior. Italy's most famous artists are herein represented including, of course, Michael Angelo Buonarotti, Raeffelli, and others. The plates and text are in perfect condition, the former in fine impressions, the latter in large type. 145. PORCELAIN. Auscher (E. S.). History and Description of French Porcelain. Translated and Edited by William Burton. Containing 24 plates in colors, together with reproductions of marks and numerous illustrations. 8vo, cloth, gilt, gilt top. London, etc. [1905] Limited Edition. 146. PORTRAITS. The Gallery of Portraits, with Memoirs. Under the Superintendence of the Society for the Diffusion of Useful Knowledge. Nearly 175 full-page portraits, including, Dante, Milton, Michael Angelo, Sir Christopher Wren, Handel, Luther, Voltaire, Peter the Great, Franklin, Chaucer, Canova, etc., engraved by E. Scriven, W. Hall, Wagstaff, I. W. Cook, J. Thomson, Posselwhite, Hopwood, and other artistic engravers. 7 vols. royal 8vo, half dark-green morocco, gilt backs and edges, portions of several backs damaged, binding somewhat rubbed. London: Charles Knight, 1833-1837 The fine portraits contained in this work are engraved in stipple and are in comparatively unspotted condition although here and there may be found a few fox-marks, on margins principally. This description also applies to the biographical text. 147. POTTERY AND PORCELAIN. Barber (Edward Atlee). The Pottery and Porcelain of the United States; Review of American Ceramic Art from the Earliest Times to the Present Day. With 223 illustrations. Royal 8vo, buckram, gilt top, uncut, binding somewhat stained. New York, 1893) 148. POTTERY AND PORCELAIN. Barber (Edward Atlee.) Art Primers Pennsylvania Museum and School of Industrial Art, Philadelphia. (1) Artificial Soft Paste Porcelain, France, Italy, Spain and England; (2) Salt Glazed Stoneware, Germany, Flanders, England, and the United States. Numerous illustrations. 2 vols. 8vo, boards, cloth backs. New York, 1907 149. POTTERY AND PORCELAIN. Binns (R. W.). Catalogue of a Collection of Worcester Porcelain in the Museum at the Royal Porcelain Works. Numerous illustrations and manufacturers' marks. 8vo, original cloth, gilt. Worcester [Eng.] 1882 150. POTTERY AND PORCELAIN. Chaffers (William). Marks and Monograms on European and Oriental Pottery and Porcelain, with Historical Notices of each Manufactory. Twelfth Edition, with Additional Supplement, by Frederick Litchfield. Nearly 4,000 potters' marks. Thick royal 8vo, three-quarter dark-green levant morocco, gilt back and top, uncut. London, 1908 151. POTTERY AND PORCELAIN. Elliott (Charles Wyllys). Pottery and Porcelain, from Early Times down to the Philadelphia Exhibition of 1876. With 165 illustrations, and the more important marks and -monograms. Square 8vo, cloth, gilt, gilt edges. New York, 1878 |