Thanks for the heavenly message brought Child of the wandering sea, 223 While on mine ear it rings, Through the deep caves of thought I hear a voice that sings: Leave thy low-vaulted past! Let each new temple, nobler than the last, vast, Till thou at length art free, Leaving thine outgrown shell by life's unresting sea! UNDER THE VIOLETS. HER hands are cold; her face is white; But not beneath a graven stone, To plead for tears with alien eyes; A slender cross of wood alone Shall say, that here a maiden lies And gray old trees of hugest limb To make the scorching sunlight dim That drinks the greenness from the ground, And drop their dead leaves on her mound. new, Stole with soft step its shining archway through, Built up its idle door, Stretched in his last-found home, and For her the morning choir shall sing knew the old no more. Its matins from the branches high, That trills beneath the April sky, When o'er their boughs the squirrels run, And through their leaves the robins call, And, ripening in the autumn sun, The acorns and the chestnuts fall, When, turning round their dial-track, Eastward the lengthening shadows pass, The crickets, sliding through the grass, At last the rootlets of the trees Build thee more stately mansions, O my And bear the buried dust they seize soul, In leaves and blossoms to the skies. As the swift seasons roll! If any, born of kindlier blood, Should ask, What maiden lies below? Say only this: A tender bud, That tried to blossom in the snow, Lies withered where the violets blow. JAMES RUSSELL LOWELL. [U. s. A.] THE HERITAGE. THE rich man's son inherits lands, And tender flesh that fears the cold, The rich man's son inherits cares; The bank may break, the factory burn, A breath may burst his bubble shares, And soft, white hands could hardly earn A living that would serve his turn; A heritage, it seems to me, One scarce would wish to hold in fee. The rich man's son inherits wants, His stomach craves for dainty fare; With sated heart, he hears the pants Of toiling hinds with brown arms bare, And wearies in his easy chair; A heritage, it seems to me, One scarce would wish to hold in fee. What doth the poor man's son inherit? King of two hands, he does his part What doth the poor man's son inherit? What doth the poor man's son inherit? A patience learned by being poor, Courage, if sorrow come, to bear it, NEW ENGLAND SPRING. (From "THE BIGLOW PAPERS.") I, COUNTRY-BORN an' bred, know where to find Some blooms thet make the season suit the mind, An' seem to metch the doubtin' bluebird's notes,— Half-vent'rin' liverworts in furry coats, Blood-roots, whose rolled-up leaves ef fur oncurl, Each on em's cradle to a baby-pearl, But these are jes' Spring's pickets; sure ez sin, T The rebble frosts 'll try to drive 'em in; For half our May 's so awfully like May n't 'T would rile a Shaker or an evrige saint; Though I own up I like our back'ard springs Thet kind o' haggle with their greens an' things, An' when you 'most give up, 'ithout more words, Toss the fields full o' blossoms, leaves, an' birds: JAMES RUSSELL LOWELL. 225 Thet's Northun natur', slow an' apt to | In ellum shrouds the flashin' hang-bird doubt, But when it does git stirred, there's no gin-out! Fust come the blackbirds clatt'rin' in tall trees, An' settlin' things in windy Congresses, — Ef all on 'em don't head against the wind. So plump they look like yaller caterpillars, Then gray hosschesnuts leetle hands unfold Softer 'n a baby's be a' three days old: Thet 's robin-red breast's almanick; he knows Thet arter this ther' 's only blossom snows; So, choosin' out a handy crotch an' spouse, Then seems to come a hitch, -things lag A leak comes spirtin' thru some pin-hole come, Suddin, in one gret slope o' shedderin Jes' so our Spring gits everythin' in tune The cat-bird in the laylock-bush is loud; An' look all dipt in sunshine like a poet; clings, An' for the summer vy'ge his hammock slings; All down the loose-walled lanes in archin' bowers An' she looked full ez rósy agin 'T was kin' o' kingdom-come to look He was six foot o' man, A 1, Clean grit an' human natur'; None could n't quicker pitch a ton Nor dror a furrer straighter. He'd sparked it with full twenty gals, All is, he could n't love 'em. But long o' her his veins 'ould run All crinkly like curled maple, She thought no v'ice hed sech a swing My when he made Ole Hunderd ring, An' she'd blush scarlit, right in prayer, Thet night, I tell ye, she looked some! Down to her very shoe-sole. She heered a foot, an' knowed it tu, He kin' o' l'itered on the mat, But hern went pity Zekle. An' yit she gin her cheer a jerk "You want to see my Pa, I s'pose?" no. To say why gals act so or so, Or don't, 'ould be presumin'; He stood a spell on one foot fust, Says he, "I'd better call agin"; Says she, "Think likely, Mister"; Huldy sot pale ez ashes, For she was jes' the quiet kind Like streams that keep a summer mind The blood clost roun' her heart felt glued Then her red come back like the tide AMBROSE. NEVER, surely, was holier man wrong, Much wrestling with the blessed Word At last he builded a perfect faith, signin'' "To see my Ma? She's sprinklin' clo'es To himself he fitted the doorway's size, Agin to-morrer's i'nin'.' Meted the light to the need of his eyes, |