Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Thus the authors scrutinize prevalent / dominant social myths concerning the postwar youth while taking account of the institutions and familial contexts that had most affected postwar working - class youth subcultures .
In comparing the youth subcultures to the parent culture , the authors propose that subordinate youth “ win cultural space " through the appropriation of fashions , objects ( such as scooters ) , music , territorial space ...
reference for many postwar white youth subcultures . However , Hebdige's central theoretical argument is that black and white relations are not often directly negotiated ; the interplay between black and white languages is typically ...
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