Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
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Página 3
... visual structures of meaning that had come to define the boundaries of popular rock and roll in the mid - 1960s , thus offering a series of projects in which rock and roll materiality provided a resource for the recontextualization of ...
... visual structures of meaning that had come to define the boundaries of popular rock and roll in the mid - 1960s , thus offering a series of projects in which rock and roll materiality provided a resource for the recontextualization of ...
Página 131
... visual image would be a significant factor in attempting to gain widespread attention among audiences and journalists alike . Tony Visconti describes the band's first performance on March 28 , 1970 : I went as Hype Man , wearing a long ...
... visual image would be a significant factor in attempting to gain widespread attention among audiences and journalists alike . Tony Visconti describes the band's first performance on March 28 , 1970 : I went as Hype Man , wearing a long ...
Página 169
... visual style that Bowie fans adopted at concerts throughout the country . Aside from the visual aspect of Aladdin Sane , the album also spoke to many of the other images associated with the glitter genre . Although the sound pro ...
... visual style that Bowie fans adopted at concerts throughout the country . Aside from the visual aspect of Aladdin Sane , the album also spoke to many of the other images associated with the glitter genre . Although the sound pro ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
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addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust