Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
Resultados 1-3 de 37
In a similar manner , the Warhol / Velvet Underground collaborations both celebrated and attacked the aural and visual structures of meaning that had come to define the boundaries of popular rock and roll in the mid - 1960s ...
Thus the collaborative multimedia presentations represented a unique development in that they opened new territory for experimentation within the visual and musical arts . As Gerard Malanga suggests , Everybody involved with the week at ...
It was a visual style that Bowie fans adopted at concerts throughout the country . Aside from the visual aspect of Aladdin Sane , the album also spoke to many of the other images associated with the glitter genre .
Comentarios de usuarios - Escribir una reseña
Andy Warhol and the Rise of Pop Art in the 1960s
Pop Art as Pop Life
Página de créditos
Otras 11 secciones no se muestran.