Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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For example , traditional objects such as safety pins ( innocence ) and garbage bags ( dirt ) were worn in a contemptible manner . Likewise , makeup was worn to be seen , not applied to fabricate a natural look .
In Cooper's view , this basic narrative simply elaborated on traditional Americana ; the theme was a common one in horror movies , westerns , and television suspense dramas . This notion in mind , Cooper worked on developing a visual ...
In other words , as Bowie's lyrics and Hunter's vocals point out , glitter rockers may have appeared to be androgynous , but many of them , like their predecessors the Mods , may have also sported a sense of traditional machismo under ...
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