Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
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Resultados 1-3 de 28
Página 162
... tour . At this time U.S. audiences had been treated to journalistic accounts of Bowie's perfor- mances , and many were intrigued by press reports on Roxy Music and the " revamped " Lou Reed . Yet , during the summer of 1972 , glitter ...
... tour . At this time U.S. audiences had been treated to journalistic accounts of Bowie's perfor- mances , and many were intrigued by press reports on Roxy Music and the " revamped " Lou Reed . Yet , during the summer of 1972 , glitter ...
Página 175
... touring . Rock magazines such as Creem and Rock Scene continued to focus on trends within the genre . Most urban areas ... tour , but it's the last show we'll ever do . " " No , " screamed the audience as all hell broke loose in Odeon ...
... touring . Rock magazines such as Creem and Rock Scene continued to focus on trends within the genre . Most urban areas ... tour , but it's the last show we'll ever do . " " No , " screamed the audience as all hell broke loose in Odeon ...
Página 196
... Tour During the spring of 1974 , Bowie returned to the stage as a new character , Halloween Jack , a man caught up in the bedlam of Earth's dying days , a man faced with ... tour 196 RECONSTRUCTING POP / SUBCULTURE Bowie: The Comeback Tour.
... Tour During the spring of 1974 , Bowie returned to the stage as a new character , Halloween Jack , a man caught up in the bedlam of Earth's dying days , a man faced with ... tour 196 RECONSTRUCTING POP / SUBCULTURE Bowie: The Comeback Tour.
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
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addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust