Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
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Página 38
... tion , as if one could know that the simple fact of a sign's entrance into that anonymous space of the masses guaranteed that it had been coopted . ( “ Politics " 149 ) Angela McRobbie provides another dimension to the critique of ...
... tion , as if one could know that the simple fact of a sign's entrance into that anonymous space of the masses guaranteed that it had been coopted . ( “ Politics " 149 ) Angela McRobbie provides another dimension to the critique of ...
Página 47
... tion did occur , yet it was a particular kind of incorporation that cannot be described in such a way so as to suggest that the form destroyed the intentions of authentic subcultural participants . Instead , as I will demonstrate ...
... tion did occur , yet it was a particular kind of incorporation that cannot be described in such a way so as to suggest that the form destroyed the intentions of authentic subcultural participants . Instead , as I will demonstrate ...
Página 203
... tion in the world of everyday life . Glitter rock opened up possibilities for fans ; its style gave them a key into another world . Thus , if we treat this study simply as Duncan treats Warhol ( " " ) , we will never uncover the ...
... tion in the world of everyday life . Glitter rock opened up possibilities for fans ; its style gave them a key into another world . Thus , if we treat this study simply as Duncan treats Warhol ( " " ) , we will never uncover the ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
Términos y frases comunes
addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust