Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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She ( sic ) made me want to move right out of the theatre ; out of the rock business ; out of the country . ... For one , Cooper was the first rock performer to incorporate grandiose theatrical sets ( props , lighting , " devices ...
In giving consideration to the dominant theatrical features of Bowie's stage act , such claims of rock and roll wizardry seem highly justified . By today's performance standards , the technological aspects of the act seem underplayed ...
His far reaching image has created a combination of contemporary music and theatre that is several years ahead of its time . ... Also during this time , established “ mega - rock ” performers relied more heavily on theatrical sets and ...
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