Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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But as Sterling Morrison has explained , the band wanted a name that immediately suggested their “ involvement with the underground film and art scenes " ( Bockris and Malanga 21 ) . ” By December 1965 , this eclectic group had actually ...
narrator suggests , " he can kick like a mule . ... All the Young Dudes , many of the other songs merged the production and arrangement techniques used in “ Dudes ” with lyrics that suggested a less ambiguous image of the band .
Likewise , as Hebdige has suggested of glitter rockers , “ they artfully confounded the images of men and women ... I am suggesting that it depicted possibilities outside of those determined by heterosexual ( straight ) culture .
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