Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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In a more oblique manner , however , these subcultures challenged the hegemonic dominion through the medium of style . As Hebdige sees it , youth subcultures act as everyday semioticians who disrupt dominant codes through the process of ...
Styles often " feed back ” into the fashion industries and what was once “ punk clothing , " is marketed as a ... In other words , if punk style could be bought off the racks , simply to shock , then who were the real punks and what of ...
Second , punk's androgynous style opened a space for women singers and musicians to perform on an equal footing with men . Additionally , punk took Warhol's artistic maxim concerning " all is art ” to its extreme in that anyone capable ...
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