Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
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Resultados 1-3 de 57
Página 164
... stage set was a rotating mirrored ball that was beamed with intense strands of white light , thus causing the auditorium to achieve the ambience of a galaxy . In addition , colored lights were directed toward the backdrop of the stage ...
... stage set was a rotating mirrored ball that was beamed with intense strands of white light , thus causing the auditorium to achieve the ambience of a galaxy . In addition , colored lights were directed toward the backdrop of the stage ...
Página 196
... stage as a new character , Halloween Jack , a man caught up in the bedlam of Earth's dying days , a man faced with the annihilation of the human race . In Diamond Dogs , Jack is an astute observer of " alienated humanoids , " people who ...
... stage as a new character , Halloween Jack , a man caught up in the bedlam of Earth's dying days , a man faced with the annihilation of the human race . In Diamond Dogs , Jack is an astute observer of " alienated humanoids , " people who ...
Página 198
... stage — a piece of theater complete with extrava- gant mechanical sets , dancers and a band that stands reservedly to stage right and never even receives a cursory acknowledgement , like an orchestra in a thea- tre pit . The show ...
... stage — a piece of theater complete with extrava- gant mechanical sets , dancers and a band that stands reservedly to stage right and never even receives a cursory acknowledgement , like an orchestra in a thea- tre pit . The show ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
Términos y frases comunes
addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust