Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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In giving consideration to the dominant theatrical features of Bowie's stage act , such claims of rock and roll wizardry seem highly justified . By today's performance standards , the technological aspects of the act seem underplayed ...
Bowie : The Comeback Tour During the spring of 1974 , Bowie returned to the stage as a new character , Halloween Jack , a man caught up in the bedlam of Earth's dying days , a man faced with the annihilation of the human race .
It's straight off a musical stage — a piece of theater complete with extravagant mechanical sets , dancers and a band that stands reservedly to stage right and never even receives a cursory acknowledgement , like an orchestra in a ...
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