Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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The strategy permits an examination of the " normally hidden set of rules and conventions through which meanings particular to specific social groups ( i.e. , those in power ) are rendered universal and ' given ' for the whole of ...
their past divergent backgrounds and interests , they all had a number of things in common : most had come to the Factory , in part , to escape and present social conditions . For many , the Factory offered refuge , and it was an ...
This meant that art students , street people , sexual and drug subcultures , and former socialites could form an in - there subculture that contradicted the model of normal social relations that typically operated between classes in ...
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