Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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This phenomenon occurred because , to put it simply , the studio was open to anyone , and so everyone came . Abruptly , the Factory became not only the place where one could observe Warhol at work but also the pop site where rock and ...
ful ways of modifying the image produced by simply pointing a camera at something and faithfully registering it ( Warhol has overparodied that same antediluvian occupation ) . ( 206 ) All of this points to a central paradox of Warhol's ...
Thus , if we treat this study simply as Duncan treats Warhol ( “ ” ) , we will never uncover the important idea that some forms of incorporation do indeed have liberating results . In the end , we will be left not unraveling the power ...
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