Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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By the summer of 1971 , he had returned to New York but seemed unsure of his artistic direction . On several occasions , he gave readings of Velvet Underground lyrics and gay poems at St. Marks Church , but his friends Lisa and Richard ...
Yet , although this procedure did not result in disavowal by the insider's club , it did position the band as one that seemed to be wavering between authenticity and blatant dishonesty . Not Paying the Price : The Fans ' Last Word ...
But what seemed odd about the album was Reed's reemergence as a pop - oriented performer . This time , it seemed as if he was actually playing a joke on glitter — the album's crassly commercial sound was combined with lyrics that seemed ...
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