Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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And as the Factory increasingly became a meeting spot for eclectic individuals and subgroups , word began to spread that Warhol had created an exceptional scene — and it was open to anyone . By the end of 1964 , the Factory studio was ...
Although the Mercer eventually suffered a literal collapse , in the Dolls ' early days it was the center of a burgeoning scene , one that featured video artists ( the Kitchen ) and raucous rock and roll bands such as the Magic Tramps ...
Lisa Robinson , native to the New York Max's / Mercer scene , was sent by Creem to investigate both the fans and the L.A. rock circuit . In so doing she made the assessment that “ kids in L.A. live for rock concerts ...
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