Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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The overall idea , according to Cooper , was to incorporate into rock and roll many of the surreal tenets that had surfaced in the work of artists such as Salvador Dali . Thus his stage sets contained props , such as mops , brooms , and ...
Such opinions were common among rock critics in the early 1970s : virtually all of them ? praised Ziggy , and many argued that the album was one of the great rock and roll testaments of all time . On the whole , Ziggy Stardust ( as both ...
glitter rock's connection to pop art is related to a larger contextual problem : how to account for a 35 - year span in which British art schools ' played a significant role in the development of rock and roll .
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