Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
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Página 90
... result , on the second evening of their performance , the Velvets ended the last set by laying their instruments on the stage and turning their ampli- fiers to the highest possible decibel levels . " It will replace nothing , except sui ...
... result , on the second evening of their performance , the Velvets ended the last set by laying their instruments on the stage and turning their ampli- fiers to the highest possible decibel levels . " It will replace nothing , except sui ...
Página 129
... result , they ar- ranged for a few social gatherings where Reed could mingle with music indus- try employees and , they hoped , stir some interest . On several occasions , he arrived with a blond woman named Betty , whom he ...
... result , they ar- ranged for a few social gatherings where Reed could mingle with music indus- try employees and , they hoped , stir some interest . On several occasions , he arrived with a blond woman named Betty , whom he ...
Página 152
... result was Transformer , an album that directly referenced Reed's association with Warhol , the Factory , and the late 1960s underground scene . More specifically , the most famous cut , " Walk on the Wild Side , " eventually became the ...
... result was Transformer , an album that directly referenced Reed's association with Warhol , the Factory , and the late 1960s underground scene . More specifically , the most famous cut , " Walk on the Wild Side , " eventually became the ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
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addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust