Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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To reiterate what should now be apparent : Warhol's media montages professed that pop as art had the ability to represent both blatant and hidden contradictions , ones that forthrightly blasphemed the dominant intellectual conception ...
One difference is that the Factory did not represent one specific kind of response to subordinate - dominant class relations . Whereas the authors represented in Resistance through Ritual ( Hall and Jefferson ) saw the determining level ...
In other words , glitter rock represented a rather ambiguous form of incorporation as it engaged in many of the tactics that are often associated with both the commodity and ideological processes . Nonetheless , although glitter rock ...
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