Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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For Hebdige , the process of disentangling these codes involves , first , an interpretation of postwar British youth subcultures that positioned them in relation to a series of black and white social dichotomies .
But his analysis of this relationship is also framed by a larger issue : how to account for the dominant genres of ... Each of these writers proposes to analyze a specific aspect of glitter's relation to pop art ( as part of an art ...
Hence it did not propose a symbolic solution to the dominant / subordinate relations of one particular class . ... Thus the Factory ignored the guiding social concepts that positioned social classes in a dichotomous relation to one ...
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