Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Here were two bands whose music was so anarchistic that each seemed unlikely candidates for a commercial record label . ... This premise in mind , Fields met with his employer Jac Holzman , the president of Elektra Records .
Richardson was known for his records with the Guess Who and a bunch of Canadian Coke commercials and Ezrin was a nonentity in the biz . The record they produced for Alice , Love It To Death ( which contained the single “ I'm Eighteen ...
In fact , CBS Records president and reigning “ liberal ” Clive Davis maintained “ ' that if you wanted to work in the music ... Rundgren explained : The main reason that I did the Dolls album was because it was a New York City Record .
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