Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
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Resultados 1-3 de 45
Página 17
... questions will serve as guideposts : If subcul- ture theory is recognized as a contextually specific body of work that was in fact " working through " a number of related theoretical terrains , then what does it offer for an analysis of ...
... questions will serve as guideposts : If subcul- ture theory is recognized as a contextually specific body of work that was in fact " working through " a number of related theoretical terrains , then what does it offer for an analysis of ...
Página 50
... questions concerning authorship ( Who is the actual au- thor ? ) . In addition , such images fostered a series of debates concerning the objectification and aestheticization of the everyday environment.2 Initially , such questions may ...
... questions concerning authorship ( Who is the actual au- thor ? ) . In addition , such images fostered a series of debates concerning the objectification and aestheticization of the everyday environment.2 Initially , such questions may ...
Página 51
... questions will become critical as we attempt to assess Andy Warhol's pop art and , subsequently , his relation to rock and roll . For Warhol , more than any other pop artist , both undermined and accentuated the boundaries of fine art ...
... questions will become critical as we attempt to assess Andy Warhol's pop art and , subsequently , his relation to rock and roll . For Warhol , more than any other pop artist , both undermined and accentuated the boundaries of fine art ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
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addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust