Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Pop art was to be accepted instead as a platform for acknowledging artistic enterprises that produced mass ... In other words pop formed up at the interface between the analysis of “ popular culture ” and the production of “ art ...
In addition , Kenneth Pitt - David Bowie's manager - saw a connection between Bowie's work and that which had been produced by Warhol and the Velvets . As a result , Pitt flew to New York during late 1967 with the hope of representing ...
Along the same lines , yet more innocuous , was Gary Glitter , a teenybop idol who produced a string of AM hits and who was best known for his sequined jackets and pants . In other musical quarters , the pop images of all these groups ...
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