Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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In part , the New York Dolls ignored the negatively inspired premises that had guided the band's initial cult following . " In the process , the Dolls attempted to construct a new image , and more important , they attempted to construct ...
Again , like Frith and Horne , Hebdige deals only briefly with the artists and musicians who were responsible for developing the guiding premises of glitter ; yet , unlike these authors , he shows that glitter rock was a powerful ...
To answer these questions and to offer an expansion of the preceding points , I will briefly return to the main premises of subculture theory . In so doing , I will reexamine the notion of “ in - there " / " out - there ” subcultures .
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