Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
Dentro del libro
Resultados 1-3 de 29
Página 26
... posed by class structure are consistently addressed solely through stylistic mediums . Thus the subcul- tural response has an ideological dimension in that the problematics of class cannot be resolved at the level where the youth ...
... posed by class structure are consistently addressed solely through stylistic mediums . Thus the subcul- tural response has an ideological dimension in that the problematics of class cannot be resolved at the level where the youth ...
Página 36
... posed by a semiotic analysis of punk style . On the one hand , Hebdige formulates a positive assertion about the general nature of all youth subcultures . They act as " lay semioticians " who disturb the orderly flow of everyday life ...
... posed by a semiotic analysis of punk style . On the one hand , Hebdige formulates a positive assertion about the general nature of all youth subcultures . They act as " lay semioticians " who disturb the orderly flow of everyday life ...
Página 46
... posed by dominant constructions of sexuality in the early 1970s . In more specific cases , however , these expressions were far less sym- bolic in that they actually represented concrete responses to real social condi- tions ...
... posed by dominant constructions of sexuality in the early 1970s . In more specific cases , however , these expressions were far less sym- bolic in that they actually represented concrete responses to real social condi- tions ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
Términos y frases comunes
addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust