Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Likewise , Warhol was not engaged in the credible procedure of working on a critical “ problem ” in contemporary art . Pop art was to be accepted instead as a platform for acknowledging artistic enterprises that produced mass - mediated ...
By the early 1960s , such assumptions were quickly dismantled as Johns and Rosenquiest were followed by a variety of pop artists , all of whom employed commercial imagery in their art . Indeed , as pop developed into a loosely defined ...
In 1962 , the work produced by these various artists formally acquired the term pop art . It is a term that has been used ever since to describe an art that attempts to represent the modern consumer - oriented / media - saturated ...
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