Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Inside , the Velvets played so loud and crazy I couldn't even begin to guess the decibels , and there were images projected everywhere , one on top of the other . I'd usually watch from the balcony or take my turn at the projectors ...
( Loud , “ Los Angeles 1972-74 ” 78 ) Michael Des Barres , also a prominent player in the L.A. glitter rock scene , explained , “ By this ... In addition , he performed at Lake Tahoe , and he played golf with the likes of Bing Crosby .
glitter rock's connection to pop art is related to a larger contextual problem : how to account for a 35 - year span in which British art schools ' played a significant role in the development of rock and roll .
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