Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Riding in a station wagon with Gerard Malanga and two friends , Taylor Mead and Wyn Chamberlain , with rock and roll blaring from the radio , Warhol noted : The further west we drove , the more Pop everything looked on the highways .
Notes 1. Of course , most of Warhol's friends knew that he was gay but that he always remained at a far remove from politicized gay culture . Also , it has been noted that he rarely acknowledged in an open manner -his gay orientation ...
In addition , the demise of glitter as a genre and the ways in which glitter rock ultimately influenced both alternative rock and mainstream rock during the late 1970s will be noted . Notes 1. For examples , see the September 1972 and ...
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