Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Likewise , makeup was worn to be seen , not applied to fabricate a natural look . In addition , clothes lifted from pornography were worn openly , an act that publicly announced the most “ depraved ” of private desires .
It became the Lou Reed look , and in its turn , the look of the rock New Wave . ( 42 ) Here , we can also consider additional ways in which Lou Reed was drawn to the subcultural milieu at the Factory . For one , Reed was enthralled by ...
As Victor Bockris points out , As the sixties developed , so did Andy's new look . He now dressed like an SS guard in a B - movie about the Second World War , with a few embellishments of his own : black leather jacket , tight black ...
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