Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Arguably , all representations have an ideological dimension , and as Althusser suggests , even though people “ live in the world , ” they also “ live within ideological structures . ” Hebdige argues accordingly that ideology achieves ...
During this time , the band also performed on stage at the Cinematheque Theater , where artists such as LaMonte Young , Jack Smith , and Robert Whitman were experimenting with theatrical methods for combining film with live music .
As a result , Morrissey felt that if the band could produce such an enthusiastic live following , then perhaps its sound would also be adaptable to recorded music . Thus Morrissey and Warhol pooled several thousand dollars and rented ...
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