Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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3 Andy Warhol and the Rise of Pop Art in the 1960s Ithough pop art arose independently in London and New York in the late Although pa ostos Beibishe endently vencen dlowany other corak die fine late that provides a useful criteria for ...
The result was Transformer , an album that directly referenced Reed's association with Warhol , the Factory , and the late 1960s underground scene . More specifically , the most famous cut , " Walk on the Wild Side , " eventually became ...
Then again , the milieu that had become their own was the Mercer and , by late 1972 , Max's Kansas City , where all forms of misfits were held in high esteem . As Jon Savage points out , “ The Dolls were sharing space with the tail end ...
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Andy Warhol and the Rise of Pop Art in the 1960s
Pop Art as Pop Life
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