Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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However , the moment of incorporation itself remains untheorized , which is problematic in that it is difficult to determine how the mainstream is being contextualized . Consequently , the question arises as to the manner in which one ...
My analysis will therefore suggest that incorporation will take on a different meaning than that given to it by Hebdige . In the cases I examine , incorporation did occur , yet it was a particular kind of incorporation that cannot be ...
In the process , glitter provided an illustration of Hebdige's argument concerning the ( negative ) impact of commodity incorporation : Once ( subcultural styles are ) removed from their private contexts by the small entrepreneurs and ...
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