Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Of utmost importance is not only the framing of competing definitions but also the containment of subordinate ... However , Gramsci adds the important proviso that hegemonic power , precisely because it requires the consent of the ...
Most important , Reed had much to do with the increasing sense of hipness that glitter fans were ascribing to bisexuality . In the words of Chuckie Starr , a well - known regular at Rodney's glitter disco in LA , You have to understand ...
Thus , if we treat this study simply as Duncan treats Warhol ( “ ” ) , we will never uncover the important idea that some forms of incorporation do indeed have liberating results . In the end , we will be left not unraveling the power ...
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