Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Which ideas gain dominance and which remain marginal ( Hebdige 14-15 ) ? As Marx argued , the ideas of the ruling class are the ruling ideas ( qtd . in Hebdige 15 ) . But as seen in arguments of the Birmingham subculture group , social ...
In the case of the Factory , however , a number of networks merged — first , due to a correspondence with particular aesthetic ideas and , second , through a realization that these ideas allowed for the establishment of a collective ...
As we will see , these ideas were significant in that they resulted in genres ( pop art , glitter rock ) that were used in a subcultural manner . In this sense , I am suggesting an unconventional method for arriving at an analysis of ...
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