Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Given the disruptive repercussions of the Delmonico offensive , the approach of Warhol's Factory - based subcultural practitioners becomes more understandable . Here , Dick Hebdige's assessment of the power of subcultural pronouncements ...
The strategy permits an examination of the " normally hidden set of rules and conventions through which meanings particular to specific social groups ( i.e. , those in power ) are rendered universal and ' given ' for the whole of ...
Given these assertions , it becomes understandable as to the forces that were being resisted in 1972-73 . And although I am not claiming that all those who aligned themselves with glitter were necessarily gay or bisexual , nor am I ...
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