Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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For these reasons , I want to examine the art , songs , musicians , and events that helped give rise to the genre of glitter rock . In turn , I want to analyze the manner in which glitter rock fans maintained a resistant stance toward ...
After all , it was difficult to tease the image of glitter rock stars when the actual stars had by this point abandoned the genre and in so doing moved on to other formats . Thus , if glitter could no longer be played out as glitter ...
It is my argument that an analysis of glitter's subcultural dimensions requires an examination of the chronological development of glitter as genre . For this reason , I have focused on the networks of social and aesthetic production ...
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